The base of any piece of scrimshaw should
be a smooth, relatively hard material that is finished (polished)
to a high degree. Traditionally, most scrimshaw was produced on
teeth, tusks, antler, or bone.
Materials I will scrim
Light-colored materials (for black & white/color
scrimshaw)
Elephant tusk ivory (pre-ban ivory from
estates in the US)
Walrus tusk ivory (fossilized and pre-ban
white walrus ivory)
Hippo tusk ivory (must be specially
prepared)
Fossilized wooly mammoth ivory and mastodon
ivory (ancient ivories)
Light-colored cattle horn
Deer, elk, moose, caribou, stag antlers
(must have the bark polished off in the scrim area)
Cattle shinbone
Bonded ivory (pistol grips)
Mazecraft imitation ivory
Ivory paper micarta
Dark-colored materials (for "reverse" scrimshaw)
Natural and reconstituted jet (a semi-precious
gemstone related to coal and used for jewelry)
Water buffalo horn or other black horn
Dark-colored fossilized/ancient ivories
(coffee-colored to black or very dark blue)
Dark-colored cattle horn
Black paper micarta
Pipestone (a semi-soft brick red rock)
Pigments I use
Pigments that I use include quality permanent
drawing ink (black), and Windsor-Newton oil paints (all colors,
white, and black).